Active Filters:
Participation: 80%-99%
Unique Notes: > 20
Clear All Filters

Uploaders

Samuel Ricke
J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!
Samuel Ricke
3:26 Est. Play
Time
46 Measures
1,134Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
Bass 28 0 10 3 87%
Fagotto. Bass 28 0 10 3 87%
Organo
e
Continuo.		 Bass 28 0 10 3 87%
Violone. Bass 28 0 10 3 87%
Viola. 17 0 6 4 76%
Violino
I.		 Treble 21 0 6 3 76%
Violino
II.		 Treble 21 0 6 3 76%
Flauto
traverso
II.		 Treble 18 0 5 2 70%
Soprano. 16 0 6 7 61%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.
Samuel Ricke
2:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 25 14 9 9 99%
Bass 24 0 9 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 25 14 9 9 99%
Bass 24 0 9 7 100%
Continuo. Bass 24 0 9 7 100%
Tenore. 18 0 7 6 100%
Soprano. 18 0 7 5 98%
Bass Bass 21 0 7 6 93%
Violone. Bass 21 0 8 7 93%
Alto 11 0 5 6 52%
 
Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart
Samuel Ricke
3:36 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 16 0 6 3 100%
Violino
I.		 Treble 27 1 9 2 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 16 0 6 3 100%
Violino
I.		 Treble 27 1 9 2 100%
Violino
II.		 Treble 18 1 7 3 100%
Violoncello, Basso
ed
Organo.		 Bass 33 0 13 2 96%
Organ Bass 32 56 12 3 93%
Basso. Bass 19 0 6 6 89%
Soprano. 18 0 6 5 89%
Tenore. 15 0 5 6 89%
Trombone
II.		 15 0 5 5 87%
Trombone
III.		 Bass 19 0 6 5 87%
Alto. 16 0 6 6 86%
Corni
di
Bassetto.		 Treble 21 3 8 6 84%
Fagotti. Bass 26 3 9 6 84%
Trombone
I.		 16 0 6 5 83%
Trombe
in
D.		 Treble 4 3 0 4 39%
Timpani
in
D.A.		 Bass 2 0 0 2 37%
 
Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart
Samuel Ricke
2:27 Est. Play
Time
40 Measures
1,430Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
Violoncello, Basso
ed
Organo.		 Bass 33 0 12 4 86%
Viola. 25 0 14 4 80%
Fagotti. Bass 22 15 11 7 78%
Alto. 13 0 5 5 77%
Soprano. 14 0 4 4 77%
Organ Bass 31 22 15 6 76%
Trombone
alto ed
tenore.		 16 0 8 7 76%
Trombone
basso.		 Bass 18 0 5 5 76%
Basso. Bass 19 0 6 6 71%
Corni
di
Bassetto in
F.		 Treble 13 9 5 3 69%
Tenore. 17 0 8 7 68%
Trombe
in
D.		 Treble 6 4 0 1 53%
Timpani
in
D.A.		 Bass 4 0 0 1 51%
 
Fugue in E Minor, BWV 914, By Johann Sebastian Bach
Samuel Ricke
2:50 Est. Play
Time
72 Measures
1,430Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 33 3 13 5 92%
Bass 27 1 9 5 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 33 3 13 5 92%
Bass 27 1 9 5 74%
 
Requiem in D Minor, K. 626, III. Sequentia: Tuba Mirum By W. A. Mozart
Samuel Ricke
3:08 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 32 0 11 6 96%
Viola. 19 7 6 5 92%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 32 0 11 6 96%
Viola. 19 7 6 5 92%
Violino
I.		 Treble 28 1 11 5 92%
Violino
II.		 Treble 20 2 6 5 92%
Tenore
solo.		 12 0 5 7 44%
Trombone tenore
solo.		 18 0 6 6 44%
Basso
solo.		 Bass 18 0 5 8 40%
Soprano
solo.		 9 0 2 6 32%
Alto
solo.		 12 0 4 7 27%
Corni
di
Bassetto in
F.		 Treble 14 0 4 4 27%
Fagotto. Bass 15 11 5 5 23%
 
Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"
Samuel Ricke
3:28 Est. Play
Time
94 Measures
2,567Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
Bassoon Bass 20 0 2 8 100%
Violoncellos Bass 21 0 2 8 100%
Violas 16 0 2 8 99%
Violins Treble 20 0 1 8 98%
Treble 21 0 3 8 96%
Contrabasses Bass 17 0 2 8 98%
Tenor Treble 13 0 1 8 96%
Bass Bass 14 0 2 8 95%
Contralto Treble 13 0 2 8 91%
Oboe Treble 12 0 0 8 88%
Soprano Treble 12 0 0 8 88%
D
Trumpet		 Treble 11 1 1 8 73%
Timpani Bass 2 0 0 8 50%
 
Requiem in D Minor, K. 626, III. Sequentia: Recordare By W. A. Mozart
Samuel Ricke
7:10 Est. Play
Time
130 Measures
1,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 36 0 13 7 92%
Violino
II.		 Treble 24 0 6 8 92%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello ed
Basso.		 Bass 36 0 13 7 92%
Violino
II.		 Treble 24 0 6 8 92%
Viola. 23 0 8 7 88%
Violino
I.		 Treble 25 0 9 8 86%
Soprano Solo. 18 0 6 6 68%
Tenore solo. 14 0 5 6 65%
Basso solo. Bass 19 0 7 6 60%
Corni
di
Bassetto in
F.		 Treble 21 0 7 6 59%
Alto solo. 15 0 4 6 58%
Fagotti. Bass 24 35 7 6 47%